The Data collection Invites contrast of dry data with the messy intimacy of food, fluids and emotion. Data is information, and the Collection tries and fails to quantify emotion, consumption, sex.
Food, measured and allotted, translates into the space we take up in the world. Food is conduit for pleasure, connection, comfort, sustenance. Also control, and appetite. The alchemy of the ordinary. Paper stands in for abstraction, ideas, flatness, transcendence.
As a child I went on archaeological digs with my father. Tiny shards and arrowheads revealed stories that enriched the land around us. Much of my artwork imagines phenomena both seen and unseen.
What is the architecture, the symbolism of the vessel? It is a place of potential, never finalized, always filling and emptying, or going from one place to another.
Sketch book early mock up
Pseudologia is a photography book that examines the metaphysics of objects, probing the unseen and in-between spaces of daily life. The photographs are experiments highlighting unexpected relationships, playing in a zone of slippage, of excavation.
Pseudologia refers to the rare phenomena pseudologia fantastica, also known as mythomania, which is a kind of pathological lying. The title pokes fun at the artist, who lives part of the time in an alternate reality, where she “listens” to objects, mines shapes, constructing and deconstructing images in order to make them give up their secrets.
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